A vital part of the processes of developing the Emergent Imagination theory and Ecosystemic Storytelling as a robust World Building and Narrative Design system for the past 20 years, has been sharing and teaching the method to a variety of audiences, with different needs and backgrouds, to test the new the method and tools, to push the limits of collaborative processes in a constant evolution process.

BERLINALE TALENTS

World Building &
Production Design Studio

Diaz Bohorquez innitiated the The World Building and Design Studio in collaboration with the Berlinale Talents 14 years ago. It has become a critical laboratory to explore new tools and processes with an incredible group of filmmakers and guests.

By adopting an interdisciplinary and non-linear approach to world-building and narrative design, participants in the Studio, along with guest experts, delve in a new theme each edition, equipping themselves with Ecosystemic Storytelling tools for a broader understanding of current realities and the crafting of more intricate fictional worlds, while exploring a pressing social topic.

Some of the Guests, from multiple disciplines, that have joined the Studio in the past 14 years have been, Francesca di Mottola, Jean Vincent Puzos, Igor Simic, Uli Hanisch, Alex McDowell, Sergei Gepshtein, Itamar Kubovy, Kamal Sinclair among others.

  • We each hold a deeply personal version of what we call reality—an emotional, narrative construct shaped by the limits of our perception and knowledge. This construct evolves with new interactions, serving as a filter through which we navigate our personal stories.

    We interpret images and events, and we reinterpret history through these narrative frameworks, often assuming that others share the same model. However, each individual upholds a unique version. Complex narratives act as a bridges between our differing realities. By slowing down and paying closer attention, we can expand our understanding of the worlds others inhabit.

  • A language is a conceptual universe, influencing how we perceive and shape the world. It impacts our perceptual system, molding our thoughts and creative processes. Our understanding of reality and the way we experience space and time are intertwined with language and the metaphors that guide our imagination. As storytellers and designers we are constantly exploring the limits of comprehension to reveal new interpretations or entire new realities. This extends to both the intricacies of communication and the constraints of perception and cognition.

  • The absurd challenges and disrupts, it breaks the tune of normality and allows us to question our preconceived notion of reality. What is deemed absurd always depends on perspective. During the creative process, absurdity allows us to dislocate ourselves, to question and transgress the limits of our personally accepted normality. It can be a powerful tool to break free from the constraints of the familiar to open the door to new visions, ideas, and possibilities that would otherwise go unnoticed.

    The absurd poses an inner challenge, it serves as a reminder that the understanding of reality is subjective and ever-changing. It is key to consistently question our assumptions and expand our comprehension, and rebel against presupposed rules, which in turn leads to the potential for new and exciting possibilities - a futurity of outsiders.

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House of Photography

World Building Workshops • Viral Hallucinations.

Through Ecosystemic Storytelling methods the participants of the Workshop explore the Narratives Ecologies of Conspiracy, Alternative truth and Narratives of Control, to understand the tactics and mythologies of such narratives, to acquire new tools to develop counter-narratives.

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Bogota Audiovisual Market

World Building Workshops • New film processes

By adopting an interdisciplinary and non-linear approach to world-building and narrative design, participants in the Studio, along with guest experts, delve in a new theme each edition, equipping themselves with tools for a broader understanding of current realities and the crafting of more intricate fictional worlds, diving in new Film development and production processes .

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Some of the University courses include ESCAC(Spain), HSLU(Switzerland), Animation Workshop(Denmark), Film University Babelsberg(Germany),KTH(Sweden)

University Programs

Through 18 years I have collaborated with various universities and design schools to develop specific World Building and Narrative design courses.

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Story Incubator